This close-up shot looks along the canal toward Cao Kenh Te [Kenh te Bridge]. The barge is semi-permanently moored, along with ‘The Coffee Ship’, where this shot is filmed from.
This medium shot looks along the canal toward Cao Kenh Te [Kenh te Bridge]. The barge is semi-permanently moored, along with ‘The Coffee Ship’, where this shot is filmed from.
Water hyacinth is a common feature on the water-ways of the city. It is useful for cleaning the water of pollutants, but also collects rubbish thrown into the canal. This shot is taken from ‘The Coffee Ship’.
Water hyacinth is a common feature on the water-ways of the city. It is useful for cleaning the water of pollutants, but also collects rubbish thrown into the canal. This shot is taken from ‘The Coffee Ship’.
This close-up shot looks along the canal toward Cao Kenh Te [Kenh te Bridge]. The barge is semi-permanently moored, along with ‘The Coffee Ship’, where this shot is filmed from.
This long shot looks along the canal toward Cao Kenh Te [Kenh te Bridge]. The barge is semi-permanently moored, along with ‘The Coffee Ship’, where this shot is filmed from.
This medium shot looks along the canal toward Cao Kenh Te [Kenh te Bridge]. The barge is semi-permanently moored, along with ‘The Coffee Ship’, where this shot is filmed from.
This creative work output composites several sequences of this series into a single film. The film focuses on the canal surface and uses blur and layering to create a film that is not a documentary retelling of place, but a reconstitution of the experiential qualities of the canal.
